youngleft.blogg.se - Finalcut trial

#Finalcut trial mac

Resizable floating timecode window shows project timecode and colour‑coded source timecode for all clips beneath the playhead.View audio clips as separate, visually distinct lanes in the timeline, automatically arranged based on their role assignments.Magnetic Timeline automatically keeps material in sync, prevents clip collisions and eliminates gaps.Multicam editing with automatic sync and support for mixed formats, mixed frame rates and up to 64 camera angles.Search Timeline Index for Auditions, Compound Clips, Multicam Clips and Synchronized Clips.Quickly locate duplicate video or audio media in a project.Search for customised metadata in the browser or timeline.Create and manage unique roles per library.

Focus button minimises all but one role to reduce visual timeline clutter.

Enable individual audio role lanes or all audio lanes in the timeline for more fluid audio editing.

Assign roles in the browser, timeline or inspector.

Automatically create customised roles during import or voiceover recording.

Read iXML metadata from audio clips and use them to automatically create and name roles.

Create, rename and change clip colours for roles and subroles.

Timeline Index enables vertical rearrangement of roles and display of expanded channels.

Option for continuous playback of clips in the browser.

Customised Motion templates can be saved with the library.

Large browser for titles and generators.

360° viewer allows navigation in 360° while also viewing the equirectangular file side by side.

Full-screen, real-time preview playback of SD, HD, 2K, 4K, 5K and larger‑frame-size media.

Uses Grand Central Dispatch to tap into all available processors.

High-precision floating-point render in linear-light colour space.

64-bit architecture to take advantage of more than 4GB of RAM.

Final Cut Pro features improved performance and efficiency with optimisations for M2 Pro, M2 Max and M1 Ultra on the new MacBook Pro and Mac Studio.

#Finalcut trial mac

External monitoring of video with third-party Thunderbolt and PCIe devices, or via HDMI on selected Mac computers 2 Monitor full-quality video up to 6K with Pro Display XDR.Adjust ProRes RAW camera settings such as ISO, colour temperature and exposure offset using controls in the inspector.Import third-party camera LUTs and apply to source clips in the browser for use without rendering.Camera Look Up Tables (LUTs) are automatically applied to footage from selected ARRI, Sony, Panasonic and Canon cameras, including ARRI Log C, Canon Log 2/Cinema Gamut, Panasonic V-Log, Sony S-Log2/S-Gamut and Sony S-Log3/S-Gamut3.Cine.

Range Check shows which areas of an image are out of the colour gamut.2020 High Dynamic Range (HDR) in libraries and projects from camera import to delivery. 709 Standard Dynamic Range (SDR) and Rec. Generate proxy media in customised frame sizes from 12.5% to 100% of the original in ProRes Proxy or H.264.Add and delete focus points and modify the depth-of-field effect in video recorded in Cinematic mode on iPhone 13 or later (requires macOS 12.0 or later).Automatically detect faces or other objects and track their motion to match their movement with an effect, graphic or title.Send your iMovie for iOS project directly to Final Cut Pro for advanced editing, audio work and finishing.Import, edit and share 360° video from equirectangular images stitched together from a wide variety of cameras.